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<?xml-stylesheet type="text/xsl" href="https://www.authorlearningcenter.com/utility/feedstylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Screenwriting: How does the Film Industry Work? - article</title><link>https://www.authorlearningcenter.com/marketing/book-to-screen/w/companies/1690/screenwriting-how-does-the-film-industry-work---article</link><description /><dc:language>en-US</dc:language><generator>Telligent Community 10</generator><item><title>Screenwriting: How does the Film Industry Work? - article</title><link>https://www.authorlearningcenter.com/marketing/book-to-screen/w/companies/1690/screenwriting-how-does-the-film-industry-work---article</link><pubDate>Fri, 24 Feb 2017 16:03:53 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:c27209e4-2a79-49ca-919a-d67b6775edb6</guid><dc:creator>Stephen Sandlin</dc:creator><comments>https://www.authorlearningcenter.com/marketing/book-to-screen/w/companies/1690/screenwriting-how-does-the-film-industry-work---article#comments</comments><description>Current Revision posted to Companies by Stephen Sandlin on 2/24/2017 4:03:53 PM&lt;br /&gt;
&lt;p&gt;Where does the film industry begin? Where does it end?&amp;rdquo; From the screenwriter&amp;rsquo;s perspective, these two questions often lead to the same answer: the &amp;ldquo;development stage.&amp;rdquo; The development stage, the stage wherein screenwriters are given the chance to define a film through its script, begins with a studio&amp;rsquo;s search for projects that will provide a definite return on investment. Established novels, comic books, and stage plays often provide a safe bet. Wherever the material comes from however, the next step is to pass along the task of penning the script to a screenwriter.&lt;/p&gt;
&lt;p&gt;Whether the studio sides with an adaptation or original material, they will then open up the project as either an &amp;ldquo;exclusive assignment,&amp;rdquo; in which a certain writer is offered the chance to draft up a script, or they may go with the &amp;ldquo;open assignment,&amp;rdquo; which allows for any eligible writers to work towards drafting up a script, with the more established writers often having their scripts chosen. In writing their draft, the writer typically develops a treatment (or sometimes scriptment) before converting a final green-lit treatment into a polished script. With the plethora of spec scripts floating around, the studio may also choose to pursue this direction, often turning to the heralded Black List, a list of top-rated unproduced scripts.&lt;/p&gt;
&lt;p&gt;Finance also comes into play here. For screenwriters, the Writers Guild of America (WGA) works to make sure that writers are granted creative rights, such as rights to spin-offs, prequels, sequels, and merchandising. Writer contracts also include a 2-3% cut of the budget, as well as a 3% of producer&amp;rsquo;s net gross, which rewards based on the film&amp;rsquo;s box office earnings. From there, the next financial concern lies in gaining funding for the project. With a polished script at hand, producers will also compile a production package that includes the plot synopsis and budgeting figures in hopes of attracting investors.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;With the development stage all sorted out and enough producers backing the project, the script is then written into a shooting script, cast and crew are hired, and every angle of pre-production is carefully measured out, leaving the screenwriter&amp;rsquo;s job complete for the most part. From there, the pre-production leads to production, which is followed by post-production. All that&amp;rsquo;s left for screenwriters at this point is to cross their fingers and hope that the film performs well enough that their 3% producer&amp;rsquo;s net gross cut will pay off.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: article, fiction, Nonfiction&lt;/div&gt;
</description></item><item><title>Screenwriting: How does the Film Industry Work? - Article</title><link>https://www.authorlearningcenter.com/marketing/book-to-screen/w/companies/1690/screenwriting-how-does-the-film-industry-work---article/revision/1</link><pubDate>Wed, 14 Dec 2016 00:00:00 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:c27209e4-2a79-49ca-919a-d67b6775edb6</guid><dc:creator>Stephen Sandlin</dc:creator><comments>https://www.authorlearningcenter.com/marketing/book-to-screen/w/companies/1690/screenwriting-how-does-the-film-industry-work---article#comments</comments><description>Revision 1 posted to Companies by Stephen Sandlin on 12/14/2016 12:00:00 AM&lt;br /&gt;
&lt;p&gt;Where does the film industry begin? Where does it end?” From the screenwriter’s perspective, these two questions often lead to the same answer: the “development stage.” The development stage, the stage wherein screenwriters are given the chance to define a film through its script, begins with a studio’s search for projects that will provide a definite return on investment. Established novels, comic books, and stage plays often provide a safe bet. Wherever the material comes from however, the next step is to pass along the task of penning the script to a screenwriter. &lt;/p&gt;
&lt;p&gt;Whether the studio sides with an adaptation or original material, they will then open up the project as either an “exclusive assignment,” in which a certain writer is offered the chance to draft up a script, or they may go with the “open assignment,” which allows for any eligible writers to work towards drafting up a script, with the more established writers often having their scripts chosen. In writing their draft, the writer typically develops a treatment (or sometimes scriptment) before converting a final green-lit treatment into a polished script. With the plethora of spec scripts floating around, the studio may also choose to pursue this direction, often turning to the heralded Black List, a list of top-rated unproduced scripts.&lt;/p&gt;
&lt;p&gt;    Finance also comes into play here. For screenwriters, the Writers Guild of America (WGA) works to make sure that writers are granted creative rights, such as rights to spin-offs, prequels, sequels, and merchandising. Writer contracts also include a 2-3% cut of the budget, as well as a 3% of producer’s net gross, which rewards based on the film’s box office earnings. From there, the next financial concern lies in gaining funding for the project. With a polished script at hand, producers will also compile a production package that includes the plot synopsis and budgeting figures in hopes of attracting investors.&amp;#160;&lt;/p&gt;
&lt;p&gt;With the development stage all sorted out and enough producers backing the project, the script is then written into a shooting script, cast and crew are hired, and every angle of pre-production is carefully measured out, leaving the screenwriter’s job complete for the most part. From there, the pre-production leads to production, which is followed by post-production. All that’s left for screenwriters at this point is to cross their fingers and hope that the film performs well enough that their 3% producer’s net gross cut will pay off. &lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: article, fiction, Nonfiction&lt;/div&gt;
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