<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="https://www.authorlearningcenter.com/utility/feedstylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Finding Your Voice</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice</link><description /><dc:language>en-US</dc:language><generator>Telligent Community 10</generator><item><title>Leah McNaughton Lederman on Her Collection of Short Work, "A Novel of Shorts: The Woman No One Sees"</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8284/leah-mcnaughton-lederman-on-her-collection-of-short-work-a-novel-of-shorts-the-woman-no-one-sees</link><pubDate>Sat, 16 Sep 2023 12:26:05 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f1d03ad1-9728-48db-b6dc-9bdd97fda7a5</guid><dc:creator>Leah McNaughton Lederman</dc:creator><description>Current Revision posted to Finding Your Voice by Leah McNaughton Lederman on 9/16/2023 12:26:05 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;Author and editor Leah McNaughton Lederman was inspired to put together her short story collection, &lt;em&gt;A Novel of Shorts: the Woman No One Sees&lt;/em&gt;, when a specific character kept showing up in her stories. Esther, who is described by readers as tragic, deranged, and scary yet lovable, is a cleaning woman who obsessively collects dust from the places she cleans. The idea initially stemmed from her own experiences with cleaning. Four of her short stories with this character had previously been published when Lederman decided to pull a larger collection together.&lt;br /&gt; &lt;br /&gt;When it comes to publishing a collection of short stories, Lederman advises writers to explore self-publishing or small presses, as it can be challenging to get agent representation for this type of work. No matter the avenue, Lederman cautions writers to be ready to take on the business side of being a published author.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/LeahMcNaughtonLedermanonHerCollectionofShortWorkANovelofShortsTheWomanNoOne.mp4"&gt;www.authorlearningcenter.com/.../LeahMcNaughtonLedermanonHerCollectionofShortWorkANovelofShortsTheWomanNoOne.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Short Stories, video, Horror&lt;/div&gt;
</description></item><item><title>Leah McNaughton Lederman on Her Collection of Short Work, "A Novel of Shorts: The Woman No One Sees"</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8284/leah-mcnaughton-lederman-on-her-collection-of-short-work-a-novel-of-shorts-the-woman-no-one-sees/revision/2</link><pubDate>Fri, 15 Sep 2023 19:50:52 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f1d03ad1-9728-48db-b6dc-9bdd97fda7a5</guid><dc:creator>Leah McNaughton Lederman</dc:creator><description>Revision 2 posted to Finding Your Voice by Leah McNaughton Lederman on 9/15/2023 7:50:52 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;Author and editor Leah McNaughton Lederman was inspired to put together her short story collection, &lt;em&gt;A Novel of Shorts: the Woman No One Sees&lt;/em&gt;, when a specific character kept showing up in her stories. Esther, who is described by readers as tragic, deranged, and scary yet lovable, is a cleaning woman who obsessively collects dust from the places she cleans. The idea initially stemmed from her own experiences with cleaning. Four of her short stories with this character had previously been published when Lederman decided to pull a larger collection together.&lt;br /&gt; &lt;br /&gt;When it comes to publishing a collection of short stories, Lederman advises writers to explore self-publishing or small presses, as it can be challenging to get agent representation for this type of work. No matter the avenue, Lederman cautions writers to be ready to take on the business side of being being a published author.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/LeahMcNaughtonLedermanonHerCollectionofShortWorkANovelofShortsTheWomanNoOne.mp4"&gt;www.authorlearningcenter.com/.../LeahMcNaughtonLedermanonHerCollectionofShortWorkANovelofShortsTheWomanNoOne.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Short Stories, video, Horror&lt;/div&gt;
</description></item><item><title>Leah McNaughton Lederman on Her Collection of Short Work, "A Novel of Shorts: The Woman No One Sees"</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8284/leah-mcnaughton-lederman-on-her-collection-of-short-work-a-novel-of-shorts-the-woman-no-one-sees/revision/1</link><pubDate>Fri, 15 Sep 2023 16:25:47 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f1d03ad1-9728-48db-b6dc-9bdd97fda7a5</guid><dc:creator>Leah McNaughton Lederman</dc:creator><description>Revision 1 posted to Finding Your Voice by Leah McNaughton Lederman on 9/15/2023 4:25:47 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;Author and editor Leah McNaughton Lederman was inspired to put together her short story collection, &lt;em&gt;A Novel of Shorts: the Woman No One Sees&lt;/em&gt;, when a specific character kept showing up in her stories. Esther, who is described by readers as tragic, deranged, and scary yet lovable, is a cleaning woman who obsessively collects dust from the places she cleans. The idea initially stemmed from her own experiences with cleaning. Four of her short stories with this character had previously been published when Lederman decided to pull a larger collection together.&lt;br /&gt; &lt;br /&gt;When it comes to publishing a collection of short stories, Lederman advises writers to explore self-publishing or small presses, as it can be challenging to get agent representation for this type of work. No matter the avenue, Lederman cautions writers to be ready to take on the business side of being being a published author.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Short Stories, video, Horror&lt;/div&gt;
</description></item><item><title>The Importance of Finding Your Unique Voice as an Author</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8272/the-importance-of-finding-your-unique-voice-as-an-author</link><pubDate>Fri, 01 Sep 2023 19:13:18 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:81c610d7-f41f-40fd-a018-cf54c557447b</guid><dc:creator>Aleatha Romig</dc:creator><description>Current Revision posted to Finding Your Voice by Aleatha Romig on 9/1/2023 7:13:18 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;With over fifty titles in her portfolio of romance books, &lt;em&gt;New York Times&lt;/em&gt; bestselling author Aleatha Romig believes it is the uniqueness in her stories and author voice that draw readers to her books. There are cookie cutter structures that many authors are told to follow and while these might work for some, she tends to not follow a formula. Romig is a pantser, not a plotter, and lets her well-developed characters tell the stories. She weaves in lots of twists and turns and finds herself being surprised sometimes. Hitting a bestseller list like the &lt;em&gt;New York Times&lt;/em&gt; has certainly helped her career and her notoriety in the genre. The romance genre is not always taken as seriously as some other fiction genres and being a bestseller can definitely give your author platform a boost.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4"&gt;www.authorlearningcenter.com/.../TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: Mystery – Thriller – Suspense, fiction, Romance and Erotica, video&lt;/div&gt;
</description></item><item><title>The Importance of Finding Your Unique Voice as an Author</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8272/the-importance-of-finding-your-unique-voice-as-an-author/revision/2</link><pubDate>Fri, 01 Sep 2023 19:11:47 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:81c610d7-f41f-40fd-a018-cf54c557447b</guid><dc:creator>Aleatha Romig</dc:creator><description>Revision 2 posted to Finding Your Voice by Aleatha Romig on 9/1/2023 7:11:47 PM&lt;br /&gt;
&lt;p&gt;With over fifty titles in her portfolio of romance books, &lt;em&gt;New York Times&lt;/em&gt; bestselling author Aleatha Romig believes it is the uniqueness in her stories and author voice that draw readers to her books. There are cookie cutter structures that many authors are told to follow and while these might work for some, she tends to not follow a formula. Romig is a pantser, not a plotter, and lets her well-developed characters tell the stories. She weaves in lots of twists and turns and finds herself being surprised sometimes. Hitting a bestseller list like the &lt;em&gt;New York Times&lt;/em&gt; has certainly helped her career and her notoriety in the genre. The romance genre is not always taken as seriously as some other fiction genres and being a bestseller can definitely give your author platform a boost.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4"&gt;www.authorlearningcenter.com/.../TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: Mystery – Thriller – Suspense, fiction, Romance and Erotica, video&lt;/div&gt;
</description></item><item><title>The Importance of Finding Your Unique Voice as an Author</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8272/the-importance-of-finding-your-unique-voice-as-an-author/revision/1</link><pubDate>Thu, 31 Aug 2023 23:58:27 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:81c610d7-f41f-40fd-a018-cf54c557447b</guid><dc:creator>Aleatha Romig</dc:creator><description>Revision 1 posted to Finding Your Voice by Aleatha Romig on 8/31/2023 11:58:27 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4"&gt;www.authorlearningcenter.com/.../TheImportanceofFindingYourUniqueVoiceasanAuthor.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;
</description></item><item><title>The Advantage of Short Stories for Writing Humor</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/8125/the-advantage-of-short-stories-for-writing-humor</link><pubDate>Tue, 25 Oct 2022 13:39:55 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f62d910b-23fd-40f4-b5ba-47d02ff43ef6</guid><dc:creator>Chrome Oxide</dc:creator><description>Current Revision posted to Finding Your Voice by Chrome Oxide on 10/25/2022 1:39:55 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;When author Chrome Oxide started his humor writing, he found out it was much easier to maintain his style over a shorter piece of work. He discovered that short stories are a better fit for him. A short story limits how much you can develop the plot and characters, so he is able to focus more on the punchlines. In turn, he says having the extra length to expand on story elements is one advantage to writing full-length novels.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/TheAdvantageofShortStoriesforWritingHumor.mp4"&gt;www.authorlearningcenter.com/.../TheAdvantageofShortStoriesforWritingHumor.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Short Stories, Science Fiction and Fantasy, Subscriber, video&lt;/div&gt;
</description></item><item><title>Balancing Humor with Good Storytelling</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7880/balancing-humor-with-good-storytelling</link><pubDate>Fri, 24 Jul 2020 19:56:53 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:354b1508-12fc-431a-8b4d-e6de7883bd26</guid><dc:creator>Chrome Oxide</dc:creator><description>Current Revision posted to Finding Your Voice by Chrome Oxide on 7/24/2020 7:56:53 PM&lt;br /&gt;
&lt;p&gt;Author Chrome Oxide enjoys integrating a lot of different types of humor into his science fiction and fantasy stories. He adds humor to his character names, organizations, events, and even story titles. The key to making the humor work is that the story is still moving forward and keeping the interest of readers. He also uses pop culture and musical references to make sure that each reader can find some humor that is relatable.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/BalancingHumorwithGoodStorytelling.mp4"&gt;www.authorlearningcenter.com/.../BalancingHumorwithGoodStorytelling.mp4&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Science Fiction and Fantasy, video&lt;/div&gt;
</description></item><item><title>Balancing Humor with Good Storytelling</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7880/balancing-humor-with-good-storytelling/revision/1</link><pubDate>Fri, 24 Jul 2020 19:04:48 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:354b1508-12fc-431a-8b4d-e6de7883bd26</guid><dc:creator>Chrome Oxide</dc:creator><description>Revision 1 posted to Finding Your Voice by Chrome Oxide on 7/24/2020 7:04:48 PM&lt;br /&gt;
&lt;p&gt;Author Chrome Oxide enjoys integrating a lot of different types of humor into his science fiction and fantasy stories. He adds humor to his character names, organizations, events, and even story titles. The key to making the humor work is that the story is still moving forward and keeping the interest of readers. He also uses pop culture and musical references to make sure that each reader can find some humor that is relatable.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;
</description></item><item><title>Integrating Humor into Writing and Dialogue While Maintaining Authenticity</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7663/integrating-humor-into-writing-and-dialogue-while-maintaining-authenticity</link><pubDate>Fri, 07 Feb 2020 18:22:39 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:405a774f-bb63-4062-b30e-1b8554c28cd7</guid><dc:creator>Laurie Finkelstein</dc:creator><description>Current Revision posted to Finding Your Voice by Laurie Finkelstein on 2/7/2020 6:22:39 PM&lt;br /&gt;
&lt;p&gt;Laurie Finkelstein, an author, speaker, and artist, says her books&amp;rsquo; humor comes from a place of pain, like a lot of humor does. As someone who has dealt with anxiety and depression her whole life, Finkelstein has found that humor can offset some of the accompanying pain. Whether she is writing fiction or nonfiction, the humor is a part of her, and it comes out naturally when she is writing. Finkelstein doesn&amp;rsquo;t try to force the humor &amp;ndash; she lets her characters speak and simply writes what she hears them say. She recommends that authors do not try to force humor into their writing, but instead let their natural voice and point of view shine through.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/IntegratingHumorintoWritingandDialogueWhileMaintainingAuthenticity.mp4"&gt;www.authorlearningcenter.com/.../IntegratingHumorintoWritingandDialogueWhileMaintainingAuthenticity.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, video&lt;/div&gt;
</description></item><item><title>More than Just Talk: Painting a Scene with Dialogue and Narration</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7619/more-than-just-talk-painting-a-scene-with-dialogue-and-narration/revision/2</link><pubDate>Thu, 09 Jan 2020 20:22:07 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f6d608f6-5aa3-42a3-99d2-116fd8117a8c</guid><dc:creator>Helga Schier</dc:creator><description>Revision 2 posted to Finding Your Voice by Helga Schier on 1/9/2020 8:22:07 PM&lt;br /&gt;
&lt;p&gt;People don&amp;rsquo;t always say what they mean or mean what they say. That&amp;rsquo;s true in real life and in fiction. Dialogue is not only about what is being said, but also about what is left unsaid. That is the playing field of narration: it shows us how people interact nonverbally, exposing the subtext that may not be apparent if you only hear the spoken words. So, how do you strike a perfect balance between the two? This webinar with editor Helga Schier&amp;nbsp;does not&amp;nbsp;give you a ready-made formula for the right mix of narration and dialogue. Instead, she explores the functions of dialogue and narration in a scene, so that you can find the mix that&amp;rsquo;s right for your novel. This webinar explores how the interplay of dialogue and narration:&lt;br /&gt;&lt;br /&gt;&amp;bull; Creates the atmosphere of a scene&lt;br /&gt;&amp;bull; Exposes the context and circumstance of the dialogue&lt;br /&gt;&amp;bull; Reveals the personality and relationship of the dialogue partners&lt;br /&gt;&amp;bull; Builds the underlying tension, conflict, or motivation&lt;br /&gt;&amp;bull; Drives the plot forward.&lt;/p&gt;
&lt;p&gt;Here is the handout that goes along with this presentation:&amp;nbsp;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/More-Than-Just-Talk-Handout.pdf"&gt;www.authorlearningcenter.com/.../More-Than-Just-Talk-Handout.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4"&gt;www.authorlearningcenter.com/.../MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;About the Presenter:&lt;/strong&gt;&lt;br /&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of Equinox Books, a new publisher of quality genre fiction. With over 25 years of experience, Ms. Schier guides authors through the development and revision process. Ms. Schier&amp;rsquo;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Ms. Schier has published essays on contemporary contemporary English and American fiction, and a novel series. Visit her website or contact her at helga@withpenandpaper.com or visit http://www.withpenandpaper.com/.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>More than Just Talk: Painting a Scene with Dialogue and Narration</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7619/more-than-just-talk-painting-a-scene-with-dialogue-and-narration</link><pubDate>Thu, 09 Jan 2020 20:22:07 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f6d608f6-5aa3-42a3-99d2-116fd8117a8c</guid><dc:creator>Helga Schier</dc:creator><description>Current Revision posted to Finding Your Voice by Helga Schier on 1/9/2020 8:22:07 PM&lt;br /&gt;
&lt;p&gt;People don&amp;rsquo;t always say what they mean or mean what they say. That&amp;rsquo;s true in real life and in fiction. Dialogue is not only about what is being said, but also about what is left unsaid. That is the playing field of narration: it shows us how people interact nonverbally, exposing the subtext that may not be apparent if you only hear the spoken words. So, how do you strike a perfect balance between the two? This webinar with editor Helga Schier&amp;nbsp;does not&amp;nbsp;give you a ready-made formula for the right mix of narration and dialogue. Instead, she explores the functions of dialogue and narration in a scene, so that you can find the mix that&amp;rsquo;s right for your novel. This webinar explores how the interplay of dialogue and narration:&lt;br /&gt;&lt;br /&gt;&amp;bull; Creates the atmosphere of a scene&lt;br /&gt;&amp;bull; Exposes the context and circumstance of the dialogue&lt;br /&gt;&amp;bull; Reveals the personality and relationship of the dialogue partners&lt;br /&gt;&amp;bull; Builds the underlying tension, conflict, or motivation&lt;br /&gt;&amp;bull; Drives the plot forward.&lt;/p&gt;
&lt;p&gt;Here is the handout that goes along with this presentation:&amp;nbsp;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/More-Than-Just-Talk-Handout.pdf"&gt;www.authorlearningcenter.com/.../More-Than-Just-Talk-Handout.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4"&gt;www.authorlearningcenter.com/.../MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;About the Presenter:&lt;/strong&gt;&lt;br /&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of Equinox Books, a new publisher of quality genre fiction. With over 25 years of experience, Ms. Schier guides authors through the development and revision process. Ms. Schier&amp;rsquo;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Ms. Schier has published essays on contemporary contemporary English and American fiction, and a novel series. Visit her website or contact her at helga@withpenandpaper.com or visit http://www.withpenandpaper.com/.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>More than Just Talk: Painting a Scene with Dialogue and Narration</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7619/more-than-just-talk-painting-a-scene-with-dialogue-and-narration/revision/1</link><pubDate>Thu, 09 Jan 2020 19:40:59 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f6d608f6-5aa3-42a3-99d2-116fd8117a8c</guid><dc:creator>Helga Schier</dc:creator><description>Revision 1 posted to Finding Your Voice by Helga Schier on 1/9/2020 7:40:59 PM&lt;br /&gt;
&lt;p&gt;People don&amp;rsquo;t always say what they mean or mean what they say. That&amp;rsquo;s true in real life and in fiction. Dialogue is not only about what is being said, but also about what is left unsaid. That is the playing field of narration: it shows us how people interact nonverbally, exposing the subtext that may not be apparent if you only hear the spoken words. So, how do you strike a perfect balance between the two? This webinar with editor Helga Schier will not try to give you a ready-made formula for the right mix of narration and dialogue. Instead, she will explore the functions of dialogue and narration in a scene, so that you can find the mix that&amp;rsquo;s right for your novel. This webinar will explore how the interplay of dialogue and narration:&lt;br /&gt;&amp;bull; Creates the atmosphere of a scene&lt;br /&gt;&amp;bull; Exposes the context and circumstance of the dialogue&lt;br /&gt;&amp;bull; Reveals the personality and relationship of the dialogue partners&lt;br /&gt;&amp;bull; Builds the underlying tension, conflict, or motivation&lt;br /&gt;&amp;bull; Drives the plot forward.&lt;/p&gt;
&lt;p&gt;Here is the handout that goes along with this presentation:&amp;nbsp;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/More-Than-Just-Talk-Handout.pdf"&gt;www.authorlearningcenter.com/.../More-Than-Just-Talk-Handout.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4"&gt;www.authorlearningcenter.com/.../MorethanJustTalkPaintingaScenewithDialogueandNarration.mp4&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;About the Presenter:&lt;/strong&gt;&lt;br /&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of Equinox Books, a new publisher of quality genre fiction. With over 25 years of experience, Ms. Schier guides authors through the development and revision process. Ms. Schier&amp;rsquo;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Ms. Schier has published essays on contemporary contemporary English and American fiction, and a novel series. Visit her website or contact her at helga@withpenandpaper.com or visit http://www.withpenandpaper.com/.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>Bringing a Teenage Voice and Experiences to a YA Novel</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7562/bringing-a-teenage-voice-and-experiences-to-a-ya-novel</link><pubDate>Mon, 18 Nov 2019 19:10:47 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:f5eaad74-34ef-4a5f-a444-49936baab7b1</guid><dc:creator>Sheryl Benko</dc:creator><description>Current Revision posted to Finding Your Voice by Sheryl Benko on 11/18/2019 7:10:47 PM&lt;br /&gt;
&lt;p&gt;Author and film post-production supervisor Sheryl Benko says the summer before turning sixteen is a vivid time in her memory, partly because of the freedom associated with getting her driver&amp;#39;s license, and partly because she had a sick uncle at that time. Benko remembers this being her first experience of grappling with mortality. This was challenging to wrap her head around as a teen, but also necessary to go through in order to understand life. Benko thinks media involving teens going through hard times and personal growth can help everyone better understand life. She used these experiences and memories to inform the teen narrator in her young adult novel &lt;em&gt;The Last of Will&lt;/em&gt;. Benko also gets creative inspiration from the work of John Hughes. &lt;em&gt;The Breakfast Club, Pretty in Pink, Sixteen Candles&lt;/em&gt;, and other films were about teens on the surface, but really, they were for all generations.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/BringingaTeenageVoiceandExperiencestoaYANovel.mp4"&gt;www.authorlearningcenter.com/.../BringingaTeenageVoiceandExperiencestoaYANovel.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen and Young Adult, video&lt;/div&gt;
</description></item><item><title>Finding Your Teenage Voice for Young Adult Novels</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7434/finding-your-teenage-voice-for-young-adult-novels</link><pubDate>Fri, 02 Aug 2019 18:27:27 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:ad40585c-f425-4b29-8354-c3561dab5979</guid><dc:creator>Christina Hoag</dc:creator><description>Current Revision posted to Finding Your Voice by Christina Hoag on 8/2/2019 6:27:27 PM&lt;br /&gt;
&lt;p&gt;Writing for a teenage audience can be challenging. Readers of young adult fiction tend to fall into the age range of 13 to 17, and they expect certain story elements to be present in order to keep their interest. When author and writing instructor Christina Hoag set out to write her first YA novel, &lt;em&gt;Girl on the Brink&lt;/em&gt;, she hoped to share a story about teen dating violence. The details were based on something that she experienced later in life, but she wanted to translate it for a younger audience. The most difficult part of writing the story was finding her teenage voice, Hoag says, and maintaining this voice throughout the entire story. Hoag read a lot of YA novels to learn from other authors that successfully found their teenage voice.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/FindingYourTeenageVoiceforYoungAdultNovels.mp4"&gt;www.authorlearningcenter.com/.../FindingYourTeenageVoiceforYoungAdultNovels.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen and Young Adult, video&lt;/div&gt;
</description></item><item><title>Finding Your Teenage Voice for Young Adult Novels</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7434/finding-your-teenage-voice-for-young-adult-novels/revision/3</link><pubDate>Fri, 02 Aug 2019 18:17:35 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:ad40585c-f425-4b29-8354-c3561dab5979</guid><dc:creator>Christina Hoag</dc:creator><description>Revision 3 posted to Finding Your Voice by Christina Hoag on 8/2/2019 6:17:35 PM&lt;br /&gt;
&lt;p&gt;Writing for a teenage audience can be challenging. Readers of young adult fiction tend to fall into the age range of 13 to 17, and they expect certain story elements to be present in order to keep their interest. When author and writing instructor Christina Hoag set out to write her first YA novel, &lt;em&gt;Girl on the Brink&lt;/em&gt;, she hoped to share a story about teen dating violence. The details were based on something that she experienced later in life, but she wanted to translate it for a younger audience. The most difficult part of writing the story was finding her teenage voice, Hoag says, and maintaining this voice throughout the entire story. Hoag read a lot of YA novels to learn from other authors that successfully found their teenage voice.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/FindingYourTeenageVoiceforYoungAdultNovels.mp4"&gt;www.authorlearningcenter.com/.../FindingYourTeenageVoiceforYoungAdultNovels.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen and Young Adult, video&lt;/div&gt;
</description></item><item><title>Finding Your Teenage Voice for Young Adult Novels</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7434/finding-your-teenage-voice-for-young-adult-novels/revision/2</link><pubDate>Fri, 02 Aug 2019 18:16:47 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:ad40585c-f425-4b29-8354-c3561dab5979</guid><dc:creator>Christina Hoag</dc:creator><description>Revision 2 posted to Finding Your Voice by Christina Hoag on 8/2/2019 6:16:47 PM&lt;br /&gt;
&lt;p&gt;Writing for a teenage audience can be challenging. Readers of young adult fiction tend to fall into the age range of 13 to 17, and they expect certain story elements to be present in order to keep their interest. When author and writing instructor Christina Hoag set out to write her first YA novel, &lt;em&gt;Girl on the Brink&lt;/em&gt;, she hoped to share a story about teen dating violence. The details were based on something that she experienced later in life, but she wanted to translate it for a younger audience. The most difficult part of writing the story was finding her teenage voice, Hoag says, and maintaining this voice throughout the entire story. Hoag read a lot of YA novels to learn from other authors that successfully found their teenage voice.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/FindingYourTeenageVoiceforYoungAdultNovels.mp4"&gt;www.authorlearningcenter.com/.../FindingYourTeenageVoiceforYoungAdultNovels.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen and Young Adult, video&lt;/div&gt;
</description></item><item><title>Finding Your Teenage Voice for Young Adult Novels</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7434/finding-your-teenage-voice-for-young-adult-novels/revision/1</link><pubDate>Fri, 02 Aug 2019 18:10:37 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:ad40585c-f425-4b29-8354-c3561dab5979</guid><dc:creator>Christina Hoag</dc:creator><description>Revision 1 posted to Finding Your Voice by Christina Hoag on 8/2/2019 6:10:37 PM&lt;br /&gt;
&lt;p&gt;Writing for a teenage audience can be challenging. Readers of young adult fiction tend to fall into the age range of 13 to 17, and they expect certain story elements to be present in order to keep their interest. When author and writing instructor Christina Hoag set out to write her first YA novel, &lt;em&gt;Girl on the Brink&lt;/em&gt;, she hoped to share a story about teen dating violence. The details were based on something that she experienced later in life, but she wanted to translate it for a younger audience. The most difficult part of writing the story was finding her teenage voice, Hoag says, and maintaining this voice throughout the entire story. Hoag read a lot of YA novels to learn from other authors that successfully found their teenage voice.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen and Young Adult, video&lt;/div&gt;
</description></item><item><title>The Importance of Relatable Dialogue for Adaptation to Film - video</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/3418/the-importance-of-relatable-dialogue-for-adaptation-to-film---video</link><pubDate>Wed, 06 Mar 2019 14:35:19 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:dbe1a281-0983-4e7f-9db7-3e25fe1438c0</guid><dc:creator>Annelise Dekker </dc:creator><description>Current Revision posted to Finding Your Voice by Annelise Dekker  on 3/6/2019 2:35:19 PM&lt;br /&gt;
&lt;div class="asl-wikipage-body"&gt;
&lt;div class="asl-wikipage-summary"&gt;The key to writing dialogue in any format is to make it believable and consistent. Dialogue is critical to both character and plot development, so it must be relatable. Writer and producer, Annelise Dekker, advises that at the core of every story is a human story, and writers need to capitalize on this, especially if their goal is to have their book adapted to a film. The audience wants to connect, whether relating to emotions or experiences - it&amp;#39;s up to the writer to create that connection.&lt;/div&gt;
&lt;div class="asl-wikipage-media"&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver.wikis.components.files/00-00-00-00-72/TheImportanceofRelatableDialogforAdaptationtoFilm.mp4"&gt;www.authorlearningcenter.com/.../TheImportanceofRelatableDialogforAdaptationtoFilm.mp4&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video&lt;/div&gt;
</description></item><item><title>How Writers Bring Unique Voices to Their Stories</title><link>https://www.authorlearningcenter.com/writing/fiction/w/finding-your-voice/7262/how-writers-bring-unique-voices-to-their-stories</link><pubDate>Mon, 18 Feb 2019 21:43:32 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:533cad84-d62b-428d-bf1e-eb6579ec6ab2</guid><dc:creator>Bobbie Christmas</dc:creator><description>Current Revision posted to Finding Your Voice by Bobbie Christmas on 2/18/2019 9:43:32 PM&lt;br /&gt;
&lt;div class="asl-wikipage-summary"&gt;
&lt;p&gt;So many books sound exactly the same. Unique voices are vital in a market that&amp;rsquo;s oversaturated with content. Authors need to know what things make their writing mundane and what words will make their stories and lessons spring to life. Bobbie Christmas, editor and owner of Zebra Communications,&amp;nbsp;gives tips for bringing a unique voice to stories. Christmas says that, because people have similar speech patterns, new writers tend to sound the same in their writing. After the first draft, an author should go back and look for certain phrases and tendencies in his or her manuscript? In her book, &lt;em&gt;Write in Style&lt;/em&gt;, Christmas has a list of things authors should edit out to create fresh writing. For example, the phrase &amp;ldquo;at that moment&amp;rdquo; is wordy and almost always unnecessary. She also talks about using weak verbs and strong verbs. Listen to the clip below to learn what defines a weak verb, and technology tricks to freshen your writing!&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div class="asl-wikipage-media"&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-72/HowWritersBringUniqueVoicestoTheirStories.mp4"&gt;www.authorlearningcenter.com/.../HowWritersBringUniqueVoicestoTheirStories.mp4&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Nonfiction, Subscriber, video&lt;/div&gt;
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