<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="https://www.authorlearningcenter.com/utility/feedstylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Points of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view</link><description /><dc:language>en-US</dc:language><generator>Telligent Community 10</generator><item><title>Getting Under Their Skin: Mastering Deep Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8502/getting-under-their-skin-mastering-deep-point-of-view</link><pubDate>Wed, 05 Aug 2026 19:01:12 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:62534b3d-cb50-4ab7-979a-57115b3f57b8</guid><dc:creator>Jennifer Crosswhite</dc:creator><description>Current Revision posted to Points of View by Jennifer Crosswhite on 8/5/2026 7:01:12 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Point-of-view (POV) mistakes drain emotion from a scene and put a barrier between you and your reader. In this webinar session with author, editor, and book coach Jennifer Crosswhite, we cover the most common mistakes, how to choose the right POV, and how to use senses to anchor your readers in a scene--things you can apply to your manuscript today.&lt;/p&gt;
&lt;p&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/Deep-POV-Handout_5F00_ALC.pdf"&gt;www.authorlearningcenter.com/.../Deep-POV-Handout_5F00_ALC.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/GettingUnderTheirSkinMasteringDeepPointofView26.mp4"&gt;www.authorlearningcenter.com/.../GettingUnderTheirSkinMasteringDeepPointofView26.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;/strong&gt;&lt;br /&gt;Jennifer Crosswhite is owner and CEO of Tandem Services, an author services company that empowers influencers to harness the transformative power of story to spread their message, create an impact, and leave a legacy. Her twenty years&amp;rsquo; experience spans both sides of the publishing desk, from managing editor to author of 20 books and counting.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Nonfiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>Getting Under Their Skin: Mastering Deep Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8502/getting-under-their-skin-mastering-deep-point-of-view/revision/1</link><pubDate>Wed, 05 Aug 2026 18:59:15 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:62534b3d-cb50-4ab7-979a-57115b3f57b8</guid><dc:creator>Jennifer Crosswhite</dc:creator><description>Revision 1 posted to Points of View by Jennifer Crosswhite on 8/5/2026 6:59:15 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Point-of-view (POV) mistakes drain emotion from a scene and put a barrier between you and your reader. In this webinar session with author, editor, and book coach Jennifer Crosswhite, we&amp;#39;ll cover the most common mistakes, how to choose the right POV, and how to use senses to anchor your readers in a scene--things you can apply to your manuscript today.&lt;/p&gt;
&lt;p&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/Deep-POV-Handout_5F00_ALC.pdf"&gt;www.authorlearningcenter.com/.../Deep-POV-Handout_5F00_ALC.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/GettingUnderTheirSkinMasteringDeepPointofView26.mp4"&gt;www.authorlearningcenter.com/.../GettingUnderTheirSkinMasteringDeepPointofView26.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;/strong&gt;&lt;br /&gt;Jennifer Crosswhite is owner and CEO of Tandem Services, an author services company that empowers influencers to harness the transformative power of story to spread their message, create an impact, and leave a legacy. Her twenty years&amp;rsquo; experience spans both sides of the publishing desk, from managing editor to author of 20 books and counting.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Nonfiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>How Lisa Jewell Writes Multiple POVs</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8446/how-lisa-jewell-writes-multiple-povs</link><pubDate>Mon, 25 Aug 2025 13:32:15 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:12515f37-2e9a-43c7-b6d6-b2d7801b1a29</guid><dc:creator>Lisa Jewell</dc:creator><description>Current Revision posted to Points of View by Lisa Jewell on 8/25/2025 1:32:15 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;How does Lisa Jewell get in the heads of not just so many characters, but so many different characters? &lt;br /&gt;&lt;br /&gt;For more on this #1 &lt;em&gt;New York Times&lt;/em&gt; bestselling author of twenty-three novels visit:&amp;nbsp;&lt;a href="https://www.simonandschuster.com/authors/Lisa-Jewell/75656043"&gt;https://www.simonandschuster.com/authors/Lisa-Jewell/75656043&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=kFb17mSA4og"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video&lt;/div&gt;
</description></item><item><title>How Lisa Jewell Writes Multiple POVs</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8446/how-lisa-jewell-writes-multiple-povs/revision/2</link><pubDate>Mon, 25 Aug 2025 13:29:34 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:12515f37-2e9a-43c7-b6d6-b2d7801b1a29</guid><dc:creator>Lisa Jewell</dc:creator><description>Revision 2 posted to Points of View by Lisa Jewell on 8/25/2025 1:29:34 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;How does Lisa Jewell get in the heads of not just so many characters, but so many different characters? &lt;br /&gt;&lt;br /&gt;For more on this #1 New York Times bestselling author of twenty-three novels visit:&amp;nbsp;&lt;a href="https://www.simonandschuster.com/authors/Lisa-Jewell/75656043"&gt;https://www.simonandschuster.com/authors/Lisa-Jewell/75656043&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=kFb17mSA4og"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video&lt;/div&gt;
</description></item><item><title>How Lisa Jewell Writes Multiple POVs</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8446/how-lisa-jewell-writes-multiple-povs/revision/1</link><pubDate>Mon, 25 Aug 2025 13:29:18 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:12515f37-2e9a-43c7-b6d6-b2d7801b1a29</guid><dc:creator>Lisa Jewell</dc:creator><description>Revision 1 posted to Points of View by Lisa Jewell on 8/25/2025 1:29:18 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;How does Lisa Jewell get in the heads of not just so many characters, but so many different characters? &lt;br /&gt;&lt;br /&gt;For more on this #1 New York Times bestselling author of twenty-three novels visit &lt;a href="https://www.simonandschuster.com/authors/Lisa-Jewell/75656043"&gt;https://www.simonandschuster.com/authors/Lisa-Jewell/75656043&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=kFb17mSA4og"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video&lt;/div&gt;
</description></item><item><title>How to Write a Historical Saga</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8427/how-to-write-a-historical-saga</link><pubDate>Mon, 10 Mar 2025 16:23:53 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:5cb79e04-878b-4439-bbca-7763ce0eb576</guid><dc:creator>Signe Pike</dc:creator><description>Current Revision posted to Points of View by Signe Pike on 3/10/2025 4:23:53 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Author Signe Pike chats about building the world of &lt;em&gt;The Shadowed Land&lt;/em&gt;, which reimagines the legends of King Arthur by resurrecting the real historical figures who inspired these enduring tales. She discusses writing in multiple points of view, and how this approach keeps the story going.&lt;br /&gt;&lt;br /&gt;Signe Pike is the author of &lt;em&gt;The Lost Queen&lt;/em&gt; series, recently optioned for television, and the travel memoir &lt;em&gt;Faery Tale&lt;/em&gt;. She has researched and written about Celtic history and folklore for over a decade. For more on this author visit &lt;a href="https://www.simonandschuster.com/authors/Signe-Pike/101034402"&gt;https://www.simonandschuster.com/authors/Signe-Pike/101034402&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=eLWY4hRtgPA"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video, Historical Fiction&lt;/div&gt;
</description></item><item><title>Point of View: The What, How and Why of Your Story’s Perspective</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7748/point-of-view-the-what-how-and-why-of-your-story-s-perspective</link><pubDate>Thu, 29 Sep 2022 16:22:53 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3ab739e-4156-4752-97b1-aab19828658e</guid><dc:creator>Helga Schier</dc:creator><description>Current Revision posted to Points of View by Helga Schier on 9/29/2022 4:22:53 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;Point of view is one of the most powerful and at the same time one of the most misunderstood tools in a writer&amp;rsquo;s kit. Should genre help decide which point of view to choose? Why are so many sci-fi stories and fantasies written in third-person narration? Should memoirs always be written in first-person-narration? And does that choice influence the story? These are important questions. However, point of view goes beyond choosing the narrative mode.&lt;/p&gt;
&lt;p&gt;Broadly stated, point of view is the perspective from which a scene or an entire story is told. Do you tell your thriller from the murderer&amp;rsquo;s point of view, the detective&amp;rsquo;s, or the victim&amp;rsquo;s? The drama from the perspective of the philandering husband, the lovesick lover, or the depressed wife? Point of view determines what the reader knows and when, directs the way the story will flow, and shapes the narrator&amp;rsquo;s voice, stance and attitude. This webinar session with editor Helga Schier explores the pros and cons of common narrative points of view and how to avoid common pitfalls and traps.&lt;br /&gt; &lt;br /&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf"&gt;www.authorlearningcenter.com/.../ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4"&gt;www.authorlearningcenter.com/.../PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;br /&gt;&lt;/strong&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of CamCat Books, &lt;a href="https://camcatbooks.com/" rel="noopener noreferrer" target="_blank"&gt;www.camcatbooks.com&lt;/a&gt;, a publisher of quality genre fiction. With over 25 years of experience, Helga guides authors through the development and revision process. Helga&amp;#39;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Helga has published essays on contemporary English and American fiction, and translated numerous novels and memoirs. Contact her at helga@withpenandpaper.com or visit &lt;a href="http://www.withpenandpaper.com/" rel="noopener noreferrer" target="_blank"&gt;www.withpenandpaper.com&lt;/a&gt;.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Nonfiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>Point of View: The What, How and Why of Your Story’s Perspective</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7748/point-of-view-the-what-how-and-why-of-your-story-s-perspective/revision/5</link><pubDate>Thu, 29 Sep 2022 16:22:32 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3ab739e-4156-4752-97b1-aab19828658e</guid><dc:creator>Helga Schier</dc:creator><description>Revision 5 posted to Points of View by Helga Schier on 9/29/2022 4:22:32 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;Point of view is one of the most powerful and at the same time one of the most misunderstood tools in a writer&amp;rsquo;s kit. Should genre help decide which point of view to choose? Why are so many sci-fi stories and fantasies written in third-person narration? Should memoirs always be written in first-person-narration? And does that choice influence the story? These are important questions. However, point of view goes beyond choosing the narrative mode.&lt;/p&gt;
&lt;p&gt;Broadly stated, point of view is the perspective from which a scene or an entire story is told. Do you tell your thriller from the murderer&amp;rsquo;s point of view, the detective&amp;rsquo;s, or the victim&amp;rsquo;s? The drama from the perspective of the philandering husband, the lovesick lover, or the depressed wife? Point of view determines what the reader knows and when, directs the way the story will flow, and shapes the narrator&amp;rsquo;s voice, stance and attitude. This webinar session with editor Helga Schier explores the pros and cons of common narrative points of view and how to avoid common pitfalls and traps.&lt;br /&gt; &lt;br /&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf"&gt;www.authorlearningcenter.com/.../ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4"&gt;www.authorlearningcenter.com/.../PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;br /&gt;&lt;/strong&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of CamCat Books, &lt;a href="https://camcatbooks.com/" rel="noopener noreferrer" target="_blank"&gt;www.camcatbooks.com&lt;/a&gt;, a publisher of quality genre fiction. With over 25 years of experience, Helga guides authors through the development and revision process. Helga&amp;#39;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Helga has published essays on contemporary English and American fiction, and translated numerous novels and memoirs. Contact her at helga@withpenandpaper.com or visit &lt;a href="http://www.withpenandpaper.com/" rel="noopener noreferrer" target="_blank"&gt;www.withpenandpaper.com&lt;/a&gt;.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>Point of View: The What, How and Why of Your Story’s Perspective</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7748/point-of-view-the-what-how-and-why-of-your-story-s-perspective/revision/4</link><pubDate>Thu, 29 Sep 2022 16:20:04 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3ab739e-4156-4752-97b1-aab19828658e</guid><dc:creator>Helga Schier</dc:creator><description>Revision 4 posted to Points of View by Helga Schier on 9/29/2022 4:20:04 PM&lt;br /&gt;
&lt;p&gt;Point of view is one of the most powerful and at the same time one of the most misunderstood tools in a writer&amp;rsquo;s kit. Should genre help decide which point of view to choose? Why are so many sci-fi stories and fantasies written in third-person narration? Should memoirs always be written in first-person-narration? And does that choice influence the story? These are important questions. However, point of view goes beyond choosing the narrative mode.&lt;/p&gt;
&lt;p&gt;Broadly stated, point of view is the perspective from which a scene or an entire story is told. Do you tell your thriller from the murderer&amp;rsquo;s point of view, the detective&amp;rsquo;s, or the victim&amp;rsquo;s? The drama from the perspective of the philandering husband, the lovesick lover, or the depressed wife? Point of view determines what the reader knows and when, directs the way the story will flow, and shapes the narrator&amp;rsquo;s voice, stance and attitude. This webinar session with editor Helga Schier explores the pros and cons of common narrative points of view and how to avoid common pitfalls and traps.&lt;br /&gt; &lt;br /&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf"&gt;www.authorlearningcenter.com/.../ALC-2022-Schier_5F00_Point-of-View_5F00_Handout.pdf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4"&gt;www.authorlearningcenter.com/.../PointofViewTheWhatHowandWhyofYourStorysPerspective22.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;br /&gt;&lt;/strong&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of CamCat Books, &lt;a href="https://camcatbooks.com/" rel="noopener noreferrer" target="_blank"&gt;www.camcatbooks.com&lt;/a&gt;, a publisher of quality genre fiction. With over 25 years of experience, Helga guides authors through the development and revision process. Helga&amp;#39;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Helga has published essays on contemporary English and American fiction, and translated numerous novels and memoirs. Contact her at helga@withpenandpaper.com or visit &lt;a href="http://www.withpenandpaper.com/" rel="noopener noreferrer" target="_blank"&gt;www.withpenandpaper.com&lt;/a&gt;.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>About the POV in 'Everyone in This Room Will Someday Be Dead'</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8052/about-the-pov-in-everyone-in-this-room-will-someday-be-dead</link><pubDate>Mon, 18 Oct 2021 17:10:11 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:7193870a-23d1-455d-9af5-1536fd9816df</guid><dc:creator>Emily Austin</dc:creator><description>Current Revision posted to Points of View by Emily Austin on 10/18/2021 5:10:11 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Emily Austin reflects on the point of view in her thrilling debut, &amp;#39;Everyone in This Room Will Someday Be Dead&amp;#39;.&lt;br /&gt;For more on this debut author visit &lt;a href="https://www.simonandschuster.com/authors/Emily-Austin/177220594"&gt;https://www.simonandschuster.com/authors/Emily-Austin/177220594&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=E8M5nEfK9Vs"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, video, Women's Fiction&lt;/div&gt;
</description></item><item><title>About the POV in 'Everyone in This Room Will Someday Be Dead'</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/8052/about-the-pov-in-everyone-in-this-room-will-someday-be-dead/revision/1</link><pubDate>Mon, 18 Oct 2021 17:09:02 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:7193870a-23d1-455d-9af5-1536fd9816df</guid><dc:creator>Emily Austin</dc:creator><description>Revision 1 posted to Points of View by Emily Austin on 10/18/2021 5:09:02 PM&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Emily Austin reflects on the point of view in her thrilling debut, &amp;#39;Everyone in This Room Will Someday Be Dead&amp;#39;.&lt;br /&gt;For more on this debut author visit &lt;a href="https://www.simonandschuster.com/authors/Emily-Austin/177220594"&gt;https://www.simonandschuster.com/authors/Emily-Austin/177220594&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=E8M5nEfK9Vs"&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;
</description></item><item><title>Point of View: The What, How and Why of Your Story’s Perspective</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7748/point-of-view-the-what-how-and-why-of-your-story-s-perspective/revision/3</link><pubDate>Thu, 13 May 2021 21:31:42 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3ab739e-4156-4752-97b1-aab19828658e</guid><dc:creator>Helga Schier</dc:creator><description>Revision 3 posted to Points of View by Helga Schier on 5/13/2021 9:31:42 PM&lt;br /&gt;
&lt;p&gt;Point of view is one of the most powerful and at the same time one of the most misunderstood tools in a writer&amp;rsquo;s kit. Should genre help decide which point of view to choose? Why are so many sci-fi stories and fantasies written in third-person narration? Should memoirs always be written in first-person-narration? And does that choice influence the story? These are important questions. However, point of view goes beyond choosing the narrative mode.&lt;/p&gt;
&lt;p&gt;Broadly stated, point of view is the perspective from which a scene or an entire story is told. Do you tell your thriller from the murderer&amp;rsquo;s point of view, the detective&amp;rsquo;s, or the victim&amp;rsquo;s? The drama from the perspective of the philandering husband, the lovesick lover, or the depressed wife? Point of view determines what the reader knows and when, directs the way the story will flow, and shapes the narrator&amp;rsquo;s voice, stance and attitude. This webinar session with editor Helga Schier explores the pros and cons of common narrative points of view and how to avoid common pitfalls and traps.&lt;br /&gt; &lt;br /&gt;Here is the handout referenced in the session:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/ALC-2021-Schier_5F00_Point-of-View_5F00_Handout_5F00_05122021.pdf"&gt;www.authorlearningcenter.com/.../ALC-2021-Schier_5F00_Point-of-View_5F00_Handout_5F00_05122021.pdf&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/PointofViewTheWhatHowandWhyofYourStorysPerspective21.mp4"&gt;www.authorlearningcenter.com/.../PointofViewTheWhatHowandWhyofYourStorysPerspective21.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;br /&gt;&lt;/strong&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of CamCat Books, &lt;a href="https://camcatbooks.com/" rel="noopener noreferrer" target="_blank"&gt;www.camcatbooks.com&lt;/a&gt;, a publisher of quality genre fiction. With over 25 years of experience, Helga guides authors through the development and revision process. Helga&amp;#39;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Helga has published essays on contemporary English and American fiction, and translated numerous novels and memoirs. Contact her at helga@withpenandpaper.com or visit &lt;a href="http://www.withpenandpaper.com/" rel="noopener noreferrer" target="_blank"&gt;www.withpenandpaper.com&lt;/a&gt;.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
</description></item><item><title>5 Reasons to be Riveted by 'Facing the Sun' from Janice Lynn Mather</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7995/5-reasons-to-be-riveted-by-facing-the-sun-from-janice-lynn-mather</link><pubDate>Mon, 15 Feb 2021 21:36:48 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:39783195-7e60-4a5c-a8fa-0d96b3f6b738</guid><dc:creator>Janice Lynn Mather</dc:creator><description>Current Revision posted to Points of View by Janice Lynn Mather on 2/15/2021 9:36:48 PM&lt;br /&gt;
&lt;p&gt;&lt;em&gt;The Sisterhood of the Traveling Pants&lt;/em&gt; meets &lt;em&gt;The Education of Margot Sanchez&lt;/em&gt; in this Caribbean-set story about four friends who experience unexpected changes in their lives during the summer when a hotel developer purchases their community&amp;rsquo;s beloved beach. Author Janice Lynn Mather is a Bahamian writer with an MFA from the University of British Columbia. Her first novel, &lt;em&gt;Learning to Breathe&lt;/em&gt;, was a Governor General&amp;rsquo;s Literary Award finalist, a BC Book Prize finalist, shortlisted for the 2019 CCBC Amy Mathers Teen Book Award, a YALSA Best Fiction for Young Adults selection, an Amelia Bloomer&amp;rsquo;s Top Ten Recommended Feminist Books for Young Readers pick, and a Junior Library Guild selection. For more on this award-winning author visit &lt;a href="https://www.simonandschuster.com/authors/Janice-Lynn-Mather/2134096116"&gt;https://www.simonandschuster.com/authors/Janice-Lynn-Mather/2134096116&lt;/a&gt;.&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=z8fj2w3E_i4&amp;amp;t="&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen &amp; Young Adult, video, Women's Fiction&lt;/div&gt;
</description></item><item><title>5 Reasons to be Riveted by 'Facing the Sun' from Janice Lynn Mather</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7995/5-reasons-to-be-riveted-by-facing-the-sun-from-janice-lynn-mather/revision/1</link><pubDate>Mon, 15 Feb 2021 21:36:21 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:39783195-7e60-4a5c-a8fa-0d96b3f6b738</guid><dc:creator>Janice Lynn Mather</dc:creator><description>Revision 1 posted to Points of View by Janice Lynn Mather on 2/15/2021 9:36:21 PM&lt;br /&gt;
&lt;p&gt;&lt;em&gt;The Sisterhood of the Traveling Pants&lt;/em&gt; meets &lt;em&gt;The Education of Margot Sanchez&lt;/em&gt; in this Caribbean-set story about four friends who experience unexpected changes in their lives during the summer when a hotel developer purchases their community&amp;rsquo;s beloved beach. Author Janice Lynn Mather is a Bahamian writer with an MFA from the University of British Columbia. Her first novel, &lt;em&gt;Learning to Breathe&lt;/em&gt;, was a Governor General&amp;rsquo;s Literary Award finalist, a BC Book Prize finalist, shortlisted for the 2019 CCBC Amy Mathers Teen Book Award, a YALSA Best Fiction for Young Adults selection, an Amelia Bloomer&amp;rsquo;s Top Ten Recommended Feminist Books for Young Readers pick, and a Junior Library Guild selection. For more on this award-winning author visit &lt;a href="https://www.simonandschuster.com/authors/Janice-Lynn-Mather/2134096116"&gt;https://www.simonandschuster.com/authors/Janice-Lynn-Mather/2134096116&lt;/a&gt;.&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=z8fj2w3E_i4&amp;amp;t="&gt;www.youtube.com/watch&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Teen &amp; Young Adult, video, Women's Fiction&lt;/div&gt;
</description></item><item><title>When to Tell a Story from a Villain or Monster’s Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7927/when-to-tell-a-story-from-a-villain-or-monster-s-point-of-view</link><pubDate>Fri, 18 Sep 2020 13:46:40 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3461110-aa32-409e-96e2-9d3e44b5a90b</guid><dc:creator>Neil V. Young</dc:creator><description>Current Revision posted to Points of View by Neil V. Young on 9/18/2020 1:46:40 PM&lt;br /&gt;
&lt;p&gt;Telling your story from the villain&amp;#39;s or antagonist&amp;#39;s point of view can bring a unique perspective, as author Neil V. Young explains.&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/WhentoTellaStoryfromaVillainorMonsterPointofView.mp4"&gt;www.authorlearningcenter.com/.../WhentoTellaStoryfromaVillainorMonsterPointofView.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Thriller &amp; Suspense, video, Science Fiction &amp; Fantasy, mystery, Horror&lt;/div&gt;
</description></item><item><title>When to Tell a Story from a Villain or Monster’s Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7927/when-to-tell-a-story-from-a-villain-or-monster-s-point-of-view/revision/2</link><pubDate>Fri, 18 Sep 2020 13:45:03 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3461110-aa32-409e-96e2-9d3e44b5a90b</guid><dc:creator>Neil V. Young</dc:creator><description>Revision 2 posted to Points of View by Neil V. Young on 9/18/2020 1:45:03 PM&lt;br /&gt;
&lt;p&gt;Telling your story from the villain&amp;#39;s or antagonist&amp;#39;s point of view can bring a unique perspective, as author Neil V. Young explains.&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/WhentoTellaStoryfromaVillainorMonsterPointofView.mp4"&gt;www.authorlearningcenter.com/.../WhentoTellaStoryfromaVillainorMonsterPointofView.mp4&lt;/a&gt;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Thriller &amp; Suspense, video, Science Fiction &amp; Fantasy, mystery, Horror&lt;/div&gt;
</description></item><item><title>When to Tell a Story from a Villain or Monster’s Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7927/when-to-tell-a-story-from-a-villain-or-monster-s-point-of-view/revision/1</link><pubDate>Fri, 18 Sep 2020 13:06:11 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3461110-aa32-409e-96e2-9d3e44b5a90b</guid><dc:creator>Neil V. Young</dc:creator><description>Revision 1 posted to Points of View by Neil V. Young on 9/18/2020 1:06:11 PM&lt;br /&gt;
&lt;p&gt;Telling your story from the villain&amp;#39;s or antagonist&amp;#39;s point of view can bring a unique perspective, as author Neil V. Young explains.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Thriller &amp; Suspense, video, Science Fiction &amp; Fantasy, mystery, Horror&lt;/div&gt;
</description></item><item><title>Telling a Story from an Antagonist’s Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7854/telling-a-story-from-an-antagonist-s-point-of-view</link><pubDate>Fri, 26 Jun 2020 20:24:18 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:3490735d-9c72-404b-bf4e-1ccefa21a2a4</guid><dc:creator>Brandyn Cross</dc:creator><description>Current Revision posted to Points of View by Brandyn Cross on 6/26/2020 8:24:18 PM&lt;br /&gt;
&lt;p&gt;There are many points of view from which every story can be told. Different iterations can be based on the same storyline, but a completely different perspective emerges when told from the antagonist&amp;#39;s POV instead of the protagonist&amp;#39;s. Some thriller novels tell the story from both perspectives by jumping back and forth between character perspectives in each chapter. Author and screenwriter Brandyn Cross can&amp;#39;t think of an example of where a story is told only from the antagonist&amp;#39;s POV, other than possibly the recent &amp;quot;Joker&amp;quot; film, but that doesn&amp;#39;t mean it can&amp;#39;t be done. Something to keep in mind is that there are different types of villains and antagonists, with vastly different motivations.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/TellingaStoryfromanAntagonistsPointofView.mp4"&gt;www.authorlearningcenter.com/.../TellingaStoryfromanAntagonistsPointofView.mp4&lt;/a&gt;&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, video&lt;/div&gt;
</description></item><item><title>Telling a Story from an Antagonist’s Point of View</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7854/telling-a-story-from-an-antagonist-s-point-of-view/revision/1</link><pubDate>Fri, 26 Jun 2020 17:00:45 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:3490735d-9c72-404b-bf4e-1ccefa21a2a4</guid><dc:creator>Brandyn Cross</dc:creator><description>Revision 1 posted to Points of View by Brandyn Cross on 6/26/2020 5:00:45 PM&lt;br /&gt;
&lt;p&gt;There are many points of view from which every story can be told. Different iterations can be based on the same storyline, but a completely different perspective emerges when told from the antagonist&amp;#39;s POV instead of the protagonist&amp;#39;s. Some thriller novels tell the story from both perspectives by jumping back and forth between character perspectives in each chapter. Author and screenwriter Brandyn Cross can&amp;#39;t think of an example of where a story is told only from the antagonist&amp;#39;s POV, other than possibly the recent &amp;quot;Joker&amp;quot; film, but that doesn&amp;#39;t mean it can&amp;#39;t be done. Something to keep in mind is that there are different types of villains and antagonists, with vastly different motivations.&amp;nbsp;&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;
</description></item><item><title>Point of View: The What, How and Why of Your Story’s Perspective</title><link>https://www.authorlearningcenter.com/writing/fiction/w/points-of-view/7748/point-of-view-the-what-how-and-why-of-your-story-s-perspective/revision/2</link><pubDate>Tue, 21 Apr 2020 19:14:02 GMT</pubDate><guid isPermaLink="false">809ccca5-04d2-44bf-8f5c-ff0a6d33c80b:a3ab739e-4156-4752-97b1-aab19828658e</guid><dc:creator>Helga Schier</dc:creator><description>Revision 2 posted to Points of View by Helga Schier on 4/21/2020 7:14:02 PM&lt;br /&gt;
&lt;p&gt;Point of view is one of the most powerful and at the same time one of the most misunderstood tools in a writer&amp;rsquo;s kit. Should genre help decide which point of view to choose? Why are so many sci-fi stories and fantasies written in third-person narration? Should memoirs always be written in first-person-narration? And does that choice influence the story? These are important questions. However, point of view goes beyond choosing the narrative mode. Broadly stated, point of view is the perspective from which a scene or an entire story is told. Do you tell your thriller from the murderer&amp;rsquo;s point of view, the detective&amp;rsquo;s, or the victim&amp;rsquo;s? The drama from the perspective of the philandering husband, the lovesick lover, or the depressed wife? Point of view determines what the reader knows and when, directs the way the story will flow, and shapes the narrator&amp;rsquo;s voice, stance and attitude. This webinar with editor Helga Schier explores the pros and cons of common narrative points of view and how to avoid common pitfalls and traps.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/PointofViewTheWhatHowandWhyofYourStorysPerspective.mp4"&gt;www.authorlearningcenter.com/.../PointofViewTheWhatHowandWhyofYourStorysPerspective.mp4&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Here is the handout that goes along with this presentation:&lt;br /&gt;&lt;a href="https://www.authorlearningcenter.com/cfs-file/__key/communityserver-wikis-components-files/00-00-00-00-71/Point-of-View-HANDOUT.pdf"&gt;www.authorlearningcenter.com/.../Point-of-View-HANDOUT.pdf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;About the Presenter:&lt;br /&gt;&lt;/strong&gt;Helga Schier, Ph.D., is the founder and owner of withpenandpaper.com, an independent editorial services firm. She is also the editorial director of CamCat Books, a new publisher of quality genre fiction. With over 25 years of experience, Helga guides authors through the development and revision process. Helga&amp;#39;s editorial work focuses on the refinement of story, character, and style, helping writers sharpen their vision, refine their voice, and unlock the potential of their manuscripts. Her clients are published, self-published, and not-yet-published writers. Helga has published essays on contemporary English and American fiction, and translated numerous novels and memoirs. Contact her at helga@withpenandpaper.com or visit http://www.withpenandpaper.com.&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;

&lt;div style="font-size: 90%;"&gt;Tags: fiction, Subscriber, Recorded Webinar&lt;/div&gt;
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