The voracious television and cable television markets are the primary market today for novels and nonfiction books seeking adaptation to the screen. With the proliferation of channels in the past ten years, competition for stories is fierce but also...

Stephen King once said, “To write is human, to edit is divine.” As an editor, I love that sentiment, but I know that many writers are not so sure what exactly an editor does. What’s the difference between a development editor and a copy editor? When...

Strong stories need a plot, a setting, and most importantly, engaging characters. Agents and editors will tell you that all stories are character-driven. However, if your characters are stereotypes, one-dimensional, or predictable, the reader will soon...

One of the most essential tools for marketing your book is a one-sheet (also known as a sell-sheet). It exemplifies professionalism and gives a potential publisher, agent, or member of the media a polished summary of what you and your book are all about...

Stephanie Feger, owner and chief strategist of the emPower PR Group, believes that there are only two non-negotiables in the world of book marketing: have an author website and have a meaningful presence on LinkedIn. LinkedIn can be a valuable platform...

The explosive independent (“Indie”) film market is the primary entry point for books seeking adaptation to film. Indie producers are much more accessible to new authors today than are studio buyers, and can be approached through representatives like...

There’s never been a better time to publish a book! Fifteen years ago, the only way to publish a book was through a literary agent and a traditional publishing house. It was a highly competitive market, saturated with thousands of query letters and...